Derwent Inktense pencils, glitter watercolors, micron pen, and Baby Lock Sashiko machine stitching on scrap fabric. Mounted on 4”x 6” blank artist postcard.
Amy Jo at Sew Bewitching
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Artistic Practice: Continuous Line Drawing
Part of my art practice is to work in mediums other than textiles. I believe it informs and improves how I create in my primary medium. Recently, I did some continuous line drawing to work on hand-eye coordination. I also practiced a little watercolor painting on a continuous line drawing of flowers in a vase.
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Timelapse Process Video of Textile Mixed Media Study #4
This approximately 4-minute video shows the process from material prep to finished art work with video sped up 2X. A few seconds show a slow motion closeup of the Baby Lock Sashiko machine in action. When I make these, sewing on beads (if included) takes the most time. If I worked straight through, one of these little pieces would take about 3 to 4 hours to complete.
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Textile Mixed Media Study #6
Crayon-tinted fabric, textile scraps, glass beads, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
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Textile Mixed Media Study #5
Scrap textiles, scrap gel plate print on fabric, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
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Textile Mixed Media Study #4
Gel plate print on fabric, scrap textiles, glass beads, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
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Textile Mixed Media Study #3
Gel plate print on fabric, scrap textiles, glass beads, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
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Textile Mixed Media Study #2
Scrap textiles, glass beads, strip of gel plate print on fabric, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
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Textile Mixed Media Study #1
Gel plate print on fabric, scrap textiles, glass beads, and Baby Lock Sashiko machine stitching. Mounted on 4” x 6” blank artist postcard.
